Why do certain religions, like Islam, forbid or discourage music? Is it merely a matter of outdated rules, or is there a deeper, more profound reason for this aversion? Testimony suggests that music holds a powerful, transformative potential that those in control seek to suppress.
One source points out that traditional cultures, particularly those rooted in word-based doctrines like Islam, view the pervasive influence of modern media as a significant threat. This is because music, as a form of media, can subtly erode cultural distinctions and challenge established norms.
The Corrupting Nature of Harmony
Several theories attempt to explain the fear surrounding music:
- Luciferian Origin: Some believe music originates from Lucifer, associating it with corruption and darkness.
- Worldly Attachment: Others argue that enjoying music fosters an attachment to the material world, conflicting with spiritual detachment.
- Energetic Manipulation: Music carries energy that can be harnessed for both positive and negative purposes. Skilled individuals can use music to manipulate listeners, while others use it to uplift and inspire.
An informant highlights the Arabic 48-note microtonal octave and its connection to solfeggio frequencies. Playing music tuned to these frequencies can stimulate the body, creating powerful physical sensations. This stimulation can be interpreted as either a divine experience or a satanic influence, depending on one’s perspective.
Furthermore, working on all the chakras through music can lead to a state of transcendence, making individuals harder to control by religious leaders or communities. By forbidding music, those in power aim to maintain their grip on the masses, preventing them from accessing tools that promote spiritual independence.
Suppressing Creativity and Emotion
One testimony suggests that figures like Muhammad, recognizing the power of feelings as the source of creativity, deliberately suppressed anything that could stir strong emotions. This included forbidding music, discouraging laughter, and prohibiting questioning existential dilemmas.
According to this line of thought, music is a potential escape route, facilitating a strong flow of unconscious material that can lead to unexpected and transformative insights.
The Ancient Roots of Musical Magick
Ancient traditions reveal that music was once considered a form of theurgy, awakening the soul to its divine identity. Pythagoras, for example, was regarded as the first composer of anagogic music, which facilitated direct contact with the gods.
The use of lyre or cithara music during rites of ascension, along with the chanting of specific vowels, was believed to enable the soul to escape the darkness of lower existence and return to the divine.
In essence, music can be a potent form of magick, capable of challenging rigid agendas, dogmas, and lies. This is why religious and secular tyrants often abhor music and its inherent power.
Music is more than just entertainment; it is a powerful force that can unlock hidden truths and challenge established power structures. The fear and suppression of music by certain religions stem from a recognition of its potential to liberate the mind and spirit, empowering individuals to transcend the limitations imposed by dogma and control.
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